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Robert Hass (born 1941) is one of the preeminent poets living in America today. His work often expresses themes of nature, love, and loss, told in a gentle but often raw manner and through a decidedly “West Coast” / Bay Area lens. A former Poet Laureate of the U.S., I was lucky enough to take his English 131: American Poetry class at Berkeley. His lectures were always illuminating, though they seemed less like lectures and more like a young boy discovering the world for the first time.
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In the morning, after running along the river:
‘Creekstones practice the mild yoga of becoming smooth.’
By afternoon I was thinking: once you’re smooth, you’re dead.
‘It is good sometimes that poetry should disenchant us,’
I wrote, and something about ‘the heart’s huge vacancy,’
which seemed contemptible. After dinner — sudden cooling
of the summer air — I sat down to it. Where.
~
Walking down to Heart’s Desire beach in the summer evenings
of the year my marriage ended —
though I was hollowed out by pain
honeycombed with the emptiness of it,
like the bird bones on the beach
the sale of the bay water had worked on for a season —
such surprising lightness in the hand —
I don’t think I could have told the pain of loss
from the pain of possibility,
though I knew they weren’t the same thing.
When I think of that time, I think mainly of the osprey’s cry,
a startled yelp,
the cry more a color than a sound, and as if
it ripped the sky, was white,
as if it were scar tissue and fresh hurt at once.